Chappell Gallery participates in numerous off-site art fairs throughout the year, namely SOFA (Sculptural Objects and Functional Art) in Chicago and New York, PalmBeach3 in Florida and Collectors' Weekend in New Jersey.   Chappell Gallery mounts several shows each year, being the first to have solo exhibitions in the U.S. of many major international artists.
Chappell Gallery is built on a strong foundation of education, the fuel that has driven the art glass movement to its current heights. It mounts several shows each year, being the first to have solo exhibitions in the U.S. of many major international artists.
Chappell Gallery mounts several shows each year, being the first to have solo exhibitions in the U.S. of many major international artists.
 

We invite you to
visit the Artists section of our website for information on
the work and background of
each artist.

 

 

 

 

Preston Singletary

Contemporary glass sculpture -a global venue-- brought to you by Chappell Gallery of New York.
Image of Work by Artist Preston Singletary
Oyster Catcher Rattle
sold


BORN
  1963   San Francisco, CA Tribal Affiliation: Tlingit

WORKSHOPS
  1984++   Pilchuck Glass School, Stanwood, WA, Workshops including Lino Tagliapietra, Cecco Ongaro, Benjamin Moore, Pino Signoretto, Dorit Brand, Judy Hill, Dan Daily

AWARDS
  2003   Rakow Commission, Corning Museum of Glass, Corning, NY
  2002   Purchase Award, City of Seattle, Seattle, WA
Sealaska Juried Art Show: Art & Haa At.óow, Juneau, AK: 2nd
  2000   Diversified Arts, Best of Division, Indian Art NW, Portland, OR, Mayor's Award & 1st, 2nd, 3rd
  1999   Diversified Arts, Best of Division, Indian Art NW, Portland, OR, 1st, 2nd, 3rd
  1998   Diversified Arts, Best of Division, Indian Art NW, Portland, OR, 1st
  1996   Jon & Mary Shirley Scholarship, Pratt Fine Arts Center
  1988/90   The Glass House Goblet Competition Purchase Award
  1985   Work Study Grant, The Institute of Alaska Native Arts

EXHIBITIONS (selected)
  2003   Seattle Art Museum, Seattle, Threshold (Solo)
Stonington Gallery, Seattle, WA
Arnot Art Museum, New York, Representing Representation VI
William Traver Gallery, Seattle, Vision Quest (Solo)
Blue Rain Gallery, Anniversary Exhibition
  2002   William Traver Gallery, Seattle, WA, Vision Quest (Solo)
Blue Rain Gallery, Taos, NM, Solo Exhibition
Sealaska Juried Art Show: Art & Art & Haa At.óow, Juneau, Alaska
William Traver Gallery, Seattle, 25th Anniversary Exhibition
  2001   Quintana Gallery, Portland, Oregon, Collaborations in Glass
William Traver Gallery, Seattle, Clan House (Solo)
Chappell Gallery, New York, Glass Potlatch (Solo)
Fuller Museum, Brockton, Massachusetts Lino Tagliapietra e Amici
  2000   Sheldon Museum, Haines, Alaska, Traditions in Glass
Kentucky Arts & Crafts Gallery, Louisville, KY Millennium Glass
Lower Columbia Colg, Longview, WA Cultural Edge: Contemporary views of Native Artists
Birmingham Int'l Festival & American Folk Art Museum, Orlando, FL , Head, Heart & Hands
William Traver Gallery, Seattle, WA Glass Formline (Solo)
American Craft Museum, NY, NY Yakima Nation Museum & Cultural Cntr Head, Heart & Hands
Indian Art NW & Butters Gallery, Portland, OR, Festival and Gallery Show
  1999   Gallery San Nicolo, Venice, Italy Current Work (Solo)
Chappell Gallery, Boston, MA New Work (Solo)
Sea-Tac Airport, WA Port of Seattle Show
  1998   Spirit Wrestler, Vancouver, B.C. Canada, Premonitions
Kentucky Art & Craft Gallery, Louisville, & Columbus Museum of Art, OH Head, Heart & Hands
  1998-2000   Blue Rain Gallery, Ellipse Art Center, Arlington, VA; San Francisco, CA; Taos, NM Invit/nal Exhibit
Butters Gallery, Portland, OR, Solo Exhibition One man Show
Morgan Contemporary Glass, Pittsburgh, PA Group Show
Sea-Tac Airport, WA Port of Seattle Show
  1997   Fova Gallery, Texas Tech, Lubbock, TX. Four in Glass
Kiva Fine Arts, Santa Fe, NM, Group Show
Seattle, WA Passion Afire
Vetri International Glass, Seattle, WA NW Coast Images in Glass
  1993-97   The Margo Jacobson Gallery, Portland, OR Group Show
Gumps, San Francisco, CA 5 NW Artists
  1996   The William Traver Gallery, Seattle, WA A New Generation
  1995-current   Center on Contemporary Arts, Pratt Fine Arts Ctr, Seattle, WA Instructor's Exhibitions
Bumbershoot Arts Festival, Seattle, WA A Powerful Presence, Pilchuck 25 Years
  1994   Gallery Glass 1, Stockholm, Sweden Six Glass Artists
  1992   The Visual Arts Center of Alaska, Anchorage, AK New Visions
Gallery Nakama, Tokyo, Japan Goblet Show

EXPERIENCE
  1985-current   Glass Blower/ Assistant to:
Benjamin Moore, Richard Royal, Dale Chihuly, Dan Daily, Fritz Dreisbach, Dante Marioni, Lino Tagliapietra, Temo Sarpenava, Stanislav Labinsky, Sonja Bloomdahl, Ann Wåhlstrom, Marvin Lipofsky
  2003   Seattle Art Museum, Seattle, WA, Lecturer
Pilchuck Glass School, Stanwood, WA, Faculty Instructor
Museum of Northwest Art, La Conner, WA, Guest Lecturer
University of Washington's Native Studies, Seattle, WA, Guest Lecturer
California College of Art and Crafts, Oakland, CA, Guest Lecturer
San Francisco State University, San Francisco, CA, Guest Lecturer
The Burke Museum of Natural History and Culture, University of Washington, Seattle, Guest Lecturer
  2002   Microsoft Art Collection Panel Discussion, Guest Lecturer, Collecting Glass Today
The Renwick Gallery at the Smithsonian, The James Renwick Alliance, Guest Lecturer and Demonstration
  2001   Native American Art Soc. Assn Conference, Guest Lecturer , From the Fire Pit of the Canoe People
Pilchuck Glass School, Stanwood, WA, Founder's Totem Pole, Instructor and Co-Creator
  2000   Pilchuck Glass School, Stanwood, WA, Artist in Residence Program, Joe David, Artist Assistant
Taos Glass Arts and Education, Taos, NM, Visiting Artist
  1999   Glass Art Society, Tampa, Florida, Blowing demonstration
  1998   Ezra Glass Studio, Kanazu, Japan, Documents 98 Visiting Artist
  1993   Kosta Boda, Sweden, Itala & Nuutaajarvi in Finland , Workshops and Demonstrations
Maggio Gallery, New Orleans, LA, Co-Founder
  1992-99   Pilchuck Glass School, Stanwood, WA, Collectors Conference Workshops
  1988-90   Pilchuck Glass School, Stanwood, WA, Gaffer
The Glass Eye Studios, Seattle, WA, Glass Blower

BIBLIOGRAPHY (selected)
  2003   Fjärde Världen, Carl Johan Gurt, January 2003, pg. 5-11, Preston Singletary, Tlingit
Southwest Art Magazine, Dottie Indyke, June 2003, pg. 32-34, Preston Singletary
Queen Anne Magnolia News, Nancy Worssam, June 11, pg. 14, Crossing the Threshold
Seattle Post-Intelligencer, Judy Wagonfeld, June 6, p18, The Perfect Couple: Native American artifacts and glass art
The Arizona Republic, John Carlos Villani, May 11, E1, Breaking Into Glass
Native Peoples, Barry Herem, July/August, 64-66, A Seattle Collection
Art Access, January, 2003, Vision Quest
American Indian Art Magazine Spring 2003, Carolyn Kastner & Rosalyn Tunis, p56,
Fusing Traditions: Transformations in Glass by Native American Artists
The Daily of the University of Washington, May 29, p7 SAM merges Native art from past with modern styles
  2002   Seattle Post-Intelligencer, Regina Hacket, March 7, 2002, In the Galleries
Anchorage Daily News, June 13,2002, p. D6, Tradition and Experiment Fuse. . .
Seattle Post-Intelligencer, Regina Hackett,p. D1, March 7, 2002, In the Galleries
Lars Falk, Gant Fall and Winter Catalogue, 2001, The Jet City
  2001   Glashaus, Geoff Wichert, 4th ed. p6-7, Clan House: Preston Singletary at William Traver
Native Peoples Magazine, Nov, Gary Wyatt, 'Cross Cultural Fusion' Pilchuck Totem Pole
  2000   HGTV Artist Profile aired January 25, 2001, Modern Masters
  1999   New York Times, Sept 19, 1999 Charlie LeDuff, Native Art you won't see in the Casinos
Spirit Art of the NW Coast, pub. Douglas & McIntyr, Gary Wyatt , Mythic Beings
Southwest Art, August Issue, Bonnie Ganglehoff, Artist Profile
Native Peoples Magazine, Creating Section, Spring issue, Native and European Traditions Meet
  1998   The Wall Street Journal, Sept 4, 1998, Gail King, Tackling Tradition with Style and Wit
New Art Examiner, Mars, Glen Brown, Four in Glass
  1997   St James Guide to Native North American Artists, Bio.
Indian Artist Magazine, Winter issue, Ramona Gault, Feature article
Fova Galleries, Lubboc, TX, Matthew Kangas, Four in Glass
The Seattle Times, March 30, 1997, Robin Updike, A Place to Reflect
  1996   Glass Magazine #63, 1996 , review, Geoffrey Wichart, A New Generation
  1995   Sköna Hem, Interior Magazine, Sweden, July, Lage Stone
  1995/99   Washington Mutual Foundation, Study Grant, The Pilchuck Glass School
  1990   Glasswork Magazine, Japan, #11, Dick Weiss, The Glassblowers of the Pacific NW

COLLECTIONS (selected)
      City of Seattle, Portable Art Works Collection, Seattle, WA
Corning Museum of Glass, Corning NY (Rakow Commission)
Ethnographic Museum, Stockholm, Sweden
Group Health Cooperative, Seattle, WA
Handelsbanken, Stockholm, Sweden
Harborview medical center, Seattle, WA
Heard Museum of Art, Phoenix, AZ
Mint Museum of Art & Design, Charlotte, NC
Museum of the Red River, Idabel, OK
Seattle Art Museum, Seattle, WA
Spencer Museum of Art, University of Kansas, Lawrence, KS
St. Paul's Cathedral, Oklahoma City, OK
The Museum of Natural History, Anchorage, AK

 

 

Chappell Gallery is built on a strong foundation of education, the fuel that has driven the art glass movement to its current heights.
Glass art is a global movement; it is far-reaching and speaks many languages.  

In addition to representing artists from the United States, Chappell Gallery's founder, Alice Chappell, has sought out artists from around the world.